Showing posts with label Full length book. Show all posts
Showing posts with label Full length book. Show all posts

Friday, September 3, 2010

Gently Read Literature on Robinson/Robison


"When the last ruminants wandered out from Midwestern slaughterhouses to repopulate the scorched fields, one man was there to receive them. That man was Adam Robinson..."

Adam Robi(n)son and the Evolution of One-Handed Piano Compositions: Matt Jasper on Adam Robinson’s Adam Robison and Other Poems

Wednesday, February 25, 2009

coming soon - the ie series reader


A collection of new poems from ie series poets (2005-2009)

Perfect bound

6x9

156 pages


http://ieseries.wordpress.com/

Elena Alexander, Bruce Andrews, Michael Ball, Sandra Beassley, Lauren Bender, Bill Berkson, Charles Bernstein, Mei-mei Berssenbrugge, Miles Champion, Norma Cole, CA Conrad, Bruce Covey, Tina Darragh, Ben Doller, Sandra Doller, Buck Downs, Rachel Blau DuPlessis, kari edwards, Cathy Eisenhower, Graham Foust, Heather Fuller, Peter Gizzi, Adam Good, Jamie Gaughran-Perez, K. Lorraine Graham, Jessica Grim, P. Inman, Lisa Jarnot, Bonnie Jones, Beth Joselow, Michael Kelleher, Amy King, Doug Lang, Katy Lederer, Reb Livingston, M. Magnus, Tina Mandel, Chris Mason, Kristi Mexwell, Megan McShea, Anna Moschovakis, Gina Myers , Chris Nealon, Mel Nichols, Aldon Nielsen, Tom Orange, Bob Perelman, Simon Pettet, Tom Raworth, Adam Robinson, Phyllis Rosenzweig, Ric Royer, Ken Rumble, Justin Sirois, Rod Smith, Cole Swensen, Maureen Thorson, Chris Toll, Edwin Torres, Les Wade, Rosemarie Waldrop, Ryan Walker, Mark Wallace, Terence Winch, Rupert Wondolowski, John Yau, Geoffrey Young

M. Magnus - Verb Sap



Magus Magnus - Verb Sap
2008
ISBN 10: 0-9793901-1-7
ISBN 13: 978-0-9793901-1-1
Library of Congress Number: 9780979390111


Word to the wise: read this love letter to what language can do foryou. M. Magnus' Verb Sap taps the very blood of language — the textures here get at the many-fingered roots, the "crossweave fabric"of rhizomatic namings that thrust ever outward, always "by way of a word." here, the "Elfic D'oracle" signifies how a "single word canchange your life."
Lee Ann Brown


Reminiscent of 20th Century Russian absurdist poetry, with its wild wordplay and philosophic underpinning, Verb Sap's 13 th hour ruminations, break-of-day transpositions, and in-your-face midday tagging, make it irresistible work-a-day sneak reading. This book has a skewed rational or disorderly relationship to American Daily Life. It is itself a life-form — for the gobbling. Me, I broke it down by way of post-industrial nucleotides. To great effect.
Rodrigo Toscano


Verb Sap is smart, funny and absorbing — makes you want to move around, read it out, a strange kind of aural knowledge. Magnus' writing calls up the familiar, even the absurd, and twists every observation or overheard fragment into a play of sustained revelations.
Thalia Field




Magus Magnus lives and writesin Alexandria, Virginia.

Ric Royer - There Were One and It Was Two


(nh7
2007

A book that you can hear, a cd that you can read. "There Were One..." uses items borrowed from The Doubles Museum, curated by Canadian artists Jill Millings and Dr. Armand Rudge, to examine the double in its uncanny manifestations. Learn about Klaus the Two-Person, hear the lonely cries of lovers afraid of loving, feel the mist of the mysterious Gemini Fountain. Includes a booklet and cd designed to be read/listened to simultaneously.

1- "There Were One..."; Visiting relevant exhibits at the Museum of Unnatural History in Zürich, 1998.

2- "Introduction to the Museum"; Long electronic phase doubling with field recordings from Buffalo, Montreal, and Calgary.

3- "Obsidian"; Music composed for four Obsidian drills.

4- "The Two-Headed Nickel"; Selective application of the Ives-Stillwell time dilation effect to the signal. Thanks to Kate Porter for cello performance in Venice, Italy.

5- "Rural Autumn Interlude"; Mobile permutations of mirror-state material.

6- "The Bloomfield Coincidence"; All of the instruments of the modern studio perform a palindromic piece, "The Way of The World,"filtered through themselves both forward and backward.

7- "The Twins"; Sounds made with the Aleatron (an instrument invented by Q.R. Ghazala), with an application of "Berndt Delay Convolution" to the voice.

8- "The Redivider Box"; Both halves of the audio were designed around the inflection of a single pause in the middle of the text.

9- "Vera the Cats"; Sub-audible discourse streams amplified with special quack equipment.

10- "The Mountain and The Universe"; Ric Royer in duet with self, with the assistance of a ventriloquist dummy and a multi-speed tape recorder.

Ric Royer is a writer, performer and performer of writing. He tours regularly as a performance lecturer for the Performance Thanatology Research Society, a group dedicated to the advancement of higher histrionics since 1999. He is also a founding editor of Ferrum Wheel, an organizing member of the Transmodern Festival, and a frequent performer with Bufffluxus.

John Berndt, born 1967. Continuously develops his non-reductionistic sensibility in relation to thought and experience, interacting in a subversive and culturally straining way with major referencepoints such as philosophy, music, light, economy, and language. Seeks coherent novelty. Grew up as a member of the cultural vanguard of the West and today seeks benevolence without compromise as he attempts to recover from that experience. Becoming, not being.